paperbloghouse:

happyd00dle:

kaiko-art:

pybun:

animated examples I’ve made for a homework, we were free to choose any topic we are interested in and I chose to talk about the basic principles of animation in the simplest way that i know

THANK YOU.

LEARN ALL THIS CRAP AND USE IT DANGIT

SAVES THIS POST FOREVER

rufftoon:

grizandnorm:

Tuesday Tips – Floating Hands

I use this a lot when storyboarding a first pass of a sequence. Placing hands in the right, most appealing position can be tricky. In order to create a clear silhouette for the hands, I often draw them “floating in the air”. Then, using my general knowledge of anatomy, I just “fill in the arms”. This way I can create a much more expressive and clear pose than if I was just radiating out of the torso. That’s when structure and anatomy can get in the way of a clear message. And hands carry a lot of meaning, so I want to make them as clear as possible  for my audience to see them.
I would say the same applies to life drawing. Since they often don’t carry the body weight (legs most often do), I feel like i can take the freedom of changing their position slightly to make a better visual statement.
-n

Yay! I’m not the only one doing that! 

gt-the-nerdy-dragon:

isaacorloff:

I made this tutorial for a co worker today, so I figured i might share it with the internet in hopes it helps any one that might struggle with painting electricity. This is the method I use, it may not be scientifically accurate but I am pretty happy with the results. More step by steps to come soon!

thank yoouuuu

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