Imagine how you might feel if your wildest and most wonderful fantasies were brought to life. That’s probably how a child would feel if their drawings of strange and wondrous characters were turned into real-life plush toys, which is exactly what Budsies does.
Budsies takes children’s drawings and reinterprets them as 16-inch-tall hypoallergenic plush toys – but they’ll take playful adults’ drawings, too.
NO DON’T GIVE THIS TO TUMBLR USERS THIS IS A GRAVE MISTAKE
CAN PEOPLE OF ALL AGES DO THIS
BECAUSE IMAGINE IF AN ARTIST WANTED A PLUSH OF THEIR OC
You can also make a plush out of a selfie/picture.
Budsies are introducing Petsies soon. To decide who the first 100 people to get Petsies, Budsies will be holding a raffle. Raffle tickets are free and winners are random. Petsies regularly cost $199, but the first 100 raffle winners can order their Petsies for $99 and the next 1,000 winners pay $149. The first 100 winners announced March 15th. Additional batches of winners will be announced weekly thereafter.
For Pearl’s song “It’s Over isn’t it?” the scene is about Pearl accepting a loss. As the series has progressed, she’s learned that she isn’t always right, and that there are things about herself that she’s has to reevaluate. This all comes to a sort of climax in this scene where she accepts and admits out loud that her relationship with Rose was never as deep and complete as she wanted it to be or told herself it was. This is where she’s left at the end of the scene, feeling lost and out of place.
In the outline written by Ben Levine and Matt Burnett, this is how the scene looked:
You’ll notice a lot of things ended up changing compared to the final version. Most of that was due to time constraints. When we started storyboarding the episode, all of the rough demos of the songs were recorded so that we had an idea of the amount of time we had between each song (which ended up not being very much). The result was that we had to basically be transitioning constantly between songs, but doing it in a way that felt natural and as gentle as possible.
In addition, Rebecca remembered a part from the 1982 movie “Victor Victoria” starring Julie Andrews that she wanted to use as reference for the feeling of the scene:
Right away we latched onto this spinning 360 degree camera move. I loved the energy and focus it gave to the character and I immediately roughed out a version with Pearl.
If you’re ever stuck during a scene this is what you do: Don’t start from the beginning, find the moment you see clearest in your mind and build out from there. From these rough thumbnails I built the rest of the scene outward. I brought back motifs like her sword skills and her dance style to help evoke the past events of the series, and I tried to give as much time as I could to each shot and make her acting as expressive a possible.
Below are my rough boards set to Rebecca’s demo. At the end, i added a pause for when she throws the Rose into the air. It felt like a good spot for things to crescendo ring out. Deedee Magno Hall’s rendering of this blew us all away when we heard it.
From there clean up was pretty much straight forward. The scene didn’t change much except for tweaking her acting here and there. I’m super proud of how this scene turned out, hats off to Nick DeMayo our animation director and to the team at Sunimin in Korea where they draw the entire episode on paper:
imagine if the oceans were replaced by forests and if you went into the forest the trees would get taller the deeper you went and there’d be thousands of undiscovered species and you could effectively walk across the ocean but the deeper you went, the darker it would be and the animals would get progressively scarier and more dangerous and instead of whales there’d be giant deer and just wow
AngelMihe 